Dionysos, the God of wine and theatre has returned to his native land to take revenge on the puritanical Pentheus who refuses to recognise him of his rites. Remorselessly, savagely and with black humour, the God drives Pentheus and all the city to their shocking fate. This version was specially commissioned by the National Theatre for a production in May 2002, directed by Sir Peter Hall and scored by Sir Harrison Birtwhistle.

Includes afterword (p. 349-393) by the author: Dionysus and the Bacchae in the light of recent scholarship.

"[Woodruff's translation] is clear, fluent, and vigorous, well thought out, readable and forceful. The rhythms are right, ever-present but not too insistent or obvious. It can be spoken instead of read and so is viable as an acting version; and it keeps the lines of the plot well focused. The Introduction offers a good survey of critical approaches. The notes at the foot of the page are suitably brief and nonintrusive and give basic information for the non-specialist." --Charles Segal, Harvard University "This is a very useful edition, excellent for classroom purposes. The translation is clear and lively, and several students commented on how much they enjoyed it. The introduction provides an excellent overview of the issues in the play, as well as of earlier scholarship, making it a good resource for more advanced classes. The cover photo is an added bonus and provided the starting point for stimulating class discussion." --James B. Rives, York University

"The Bacchae of Euripides" by Euripides (translated by Gilbert Murray). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

From the renowned contemporary American poet C. K. Williams comes this fluent and accessible version of The Bacchae, the great tragedy by Euripides. This book includes an introduction by Martha Nussbaum.

Presents translations of four plays by Euripides that revolve around the themes of religious scepticism, the injustices suffered by women, and the folly of war.

In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.

The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealing with a grisly event in the Trojan War.

Classical Greek drama is brought vividly to life in this series of new translations. The new versions remain faithful to the original Greek, yet the language has all the immediacy of contemporary English. The result is a series of genuinely actable plays, which bring students as close as possible to the playwrights' original words and intentions.