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Gabriel Allon is summoned to a routine assignment in Amsterdam to purge the archives of a murdered terrorism analyst and discovers a conspiracy which has Elizabeth Halton, daughter of an American ambassador, as its target.
In Amsterdam, an Israeli terrorist analyst is murdered. The police believe the killer is a deranged Muslim extremist, but Israeli intelligence knows better. Art-restorer, assassin and spy Gabriel Allon is dispatched to investigate, uncovering a major terrorist operation in London. Gabriel arrives too late to prevent the kidnapping of the daughter of the US ambassador. With time running out, Allon has no choice but to plunge into a desperate search, both for the woman and for those responsible, but the truth, when he finds it, is more terrible than he could expect. It will endanger his life and shake him to the core.
A terrorist plot in London leads Israeli spy Gabriel Allon on a desperate search for a kidnapped woman in this thriller from #1 New York Times bestselling author Daniel Silva. While in Amsterdam, Israeli intelligence officer and master art restorer Gabriel Allon discovers a plot that is about to explode in the middle of London. The daughter of the American ambassador is to be brutally kidnapped. But Gabriel arrives too late to save her. And when he reveals his face to the plot’s masterminds, his fate is sealed as well. Drawn once more into the service of American intelligence, Gabriel desperately searches for the missing woman as the clock ticks steadily toward the hour of her execution. The search will thrust him into an unlikely alliance with a man who has lost everything because of his devotion to Islam. It will cause him to question the morality of the tactics of his trade. And it might very well cost him his life… A Publishers Weekly Best Book of the Year
'A first-class piece of work' New York Times Book Review Major Harry Maxim, formerly of the SAS, is as surprised as anyone when he is hired by 10 Downing Street to assist in matters of defence and security. When there is a suspicious suicide at the Ministry of Defence, and a hand grenade thrown through the door of number 10, Major Maxim's military intelligence training is put to the test. It all seems to point towards Professor John Tyler, a nuclear strategist who will state Britain's case when Europe's think tank on Armageddon gathers in Luxembourg. The Secret Servant is the first novel in the Major Harry Maxim Series.
My own spiritual autobiography
On the trail of a deadly al-Qaeda operative, Gabriel Allon returns in a spellbinding story of deception, power, and revenge by the #1 New York Times bestselling "world-class practitioner of spy fiction" (Washington Post). Gabriel Allon—art restorer and spy—is about to face the greatest challenge of his life. An al-Qaeda suspect is killed in London, and photographs are found on his computer—photographs that lead Israeli intelligence to suspect that al-Qaeda is planning one of its most audacious attacks ever, aimed straight at the heart of the Vatican. Allon and his colleagues soon find themselves in a deadly duel of wits against one of the most dangerous men in the world—a hunt that will take them across Europe to the Caribbean and back. But for them, there may not be enough of anything: enough time, enough facts, enough luck. All Allon can do is set his trap—and hope that he is not the one caught in it.
Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.
This is a history of the secret activities of the British government in response to threats to the nation's well-being and stability during the twentieth century. It is based on intensive and widespread research in private and public archives and on documents many of which have only recently come to light or been made available. The dangers perceived by the state have been manifold and various, coming from within and from abroad. Anarchists, fascists, socialists, communists, the IRA, trades-unionists and animal activists as well as spies, terrorists and saboteurs have been the subject of undercover investigation, along with almost every large-scale movement from suffragettes to campaigners for peace and nuclear disarmament. The author describes the methods and people employed, and the mixed nature of their results. The British state has always seen itself as civil and liberal, but as Dr Thurlow shows it has sometimes been far from open. The government has had many weapons at its disposal, from public order acts, censorship, internment and proscription on the one hand, to covert operations, infiltration and manipulation on the other. Yet when examined in the light of new evidence, the activities of the state are fully comprehensible only in terms of those who comprised it. The author shows the tensions among the departments (between MI5, MI6, SIS and the Special Branch, for example), and the crucial part played by individuals whose motives were often far from what the government supposed them to be. This is an at times disturbing, at others almost comical, but always fascinating account. It throws light on the inmost workings of the state, as well as on the movements and people subject to investigation and action.
During World War II, Britain enjoyed spectacular success in the secret war between hostile intelligence services, enabling a substantial and successful expansion of British counter-espionage which continued to grow in the Cold War era. Hugh Trevor-Roper's experiences working in the Secret Intelligence Service (MI6) during the war left a profound impression on him and he later observed the world of intelligence with particular discernment. To Trevor-Roper, who was always interested in the historical dimension of the present and was fully alive to the historical significance of the era in which he lived, the subjects of wartime intelligence and the complex espionage networks that developed in the Cold War period were as worthy of profound investigation and reflection as events from the more-distant past. Expressing his observations through some of his most ironic and entertaining correspondence, articles and reviews, Trevor-Roper wrote vividly about some of the greatest intelligence characters of the age - from Kim Philby and Michael Straight to the Germans Admiral Canaris and Otto John. The coherence, depth and historical vision which unites these writings can only be glimpsed when they are brought together from the scattered publications in which they appeared, and when read beside his unpublished, private reflections. The Secret World unites Trevor-Roper's writings on the subject of intelligence - including the full text of The Philby Affair and some of his personal letters to leading figures. Based on original material and extensive supplementary research by E.D.R Harrison, this book is a sharp, revealing and personal first-hand account of the intelligence world in World War II and the Cold War.